热爱生活，用心拍照 雅克－亨利－拉蒂格
Jacques Henri Lartigue
（1894-1986）
Documentary,Fine Art
Biography: Jacques Lartigue was born in Courbevoie, France on June 13, 1894. He took his first photographs at the age of six, using his father’s camera, and started keeping what would become a lifelong diary. In 1904 he began making photographs and drawings of family games and childhood experiences, also capturing the beginnings of aviation and cars and the smart women of the Bois de Boulogne as well as society and sporting events. An unfailingly curious amateur, he tried out all the available techniques, tirelessly recording the fleeting moments and meticulously arranging his several thousand images in large albums. However, it would seem that photography was not his true vocation. In 1915 he attended the Académie Jullian: painting was to remain his professional activity and from 1922 onwards he exhibited in the salons of Paris and southern France.
His acquaintances in the world of the arts included Sacha Guitry and Yvonne Printemps, Kees van Dongen, Pablo Picasso and Jean Cocteau, while his passion for movies saw him work as still photographer with Jacques Feyder, Abel Gance, Robert Bresson, François Truffaut and Federico Fellini.
Although Lartigue occasionally sold his pictures to the press and exhibited at the Galerie d’Orsay alongside Brassaï, Man Ray and Doisneau, his reputation as a photographer was not truly established until he was 69, with a retrospective at the Museum of Modern Art in New York and the publication of a portfolio in Life. He now added his father’s first name to his own surname, becoming Jacques Henri Lartigue. Worldwide fame came three years later with his first book, The Family Album, followed in 1970, by Diary of a Century, conceived by Richard Avedon. In 1975 he had his first French retrospective at the Musée des Arts Décoratifs in Paris. For the rest of his life, Lartigue was busy answering commissions from fashion and decoration magazines.
He also produced the official photograph of the new French president, Valéry Giscard d’Estaing.
He died in Nice, France on September 12, 1986.
闭上眼睛后的阳光
感光元件 视网膜（三十几年前产品）
曝光模式 P 档
输出媒介 显示器
传输方式 手动
果香
闻到果香，找见一大苹果，食之！那些已经只在回忆中···
前天闻到果香，是女儿文具盒中的橡皮，
上一次闻到果香，发现身边站立着入时的MM、、、
好东西就这样被人们复制着、、、
现在，一想起果香，就可以想到橡皮、杀虫剂、口香糖、香皂、洗涤剂、、、
如厕的手纸，就快有果香的了、、、
事物的本质属性被人们用果香胡乱地掩盖着、、、
从此，祖先遗传下来的我的嗅觉判断混乱了、、、
未来，有谁在拉屎的时候散发出果香也不必大惊小怪、、、
就叫进化吧、、、
Beutler High Acutance Film Developer (Neofin Blue Formula)
Beutler High Acutance Film Developer (Neofin Blue Formula)
Some individuals become sensitized (develop allergic symptoms or rashes) when using metol. If this should happen, discontinue use and consult a physician. We recommend you wear a dust mask, splash goggles, rubber gloves and a rubber apron anytime you are mixing dry chemicals.
Two stock solutions are prepared, and just prior to use, a portion of each is mixed with water to obtain the working solution. You will need one dark brown bottle with a capacity of one liter to store Stock Solution, and a glass or plastic one liter storage container for Stock Solution B. We recommend you wear rubber gloves, splash goggles, dust mask and a rubber apron whenever you are mixing dry chemicals.
Chemical | Amount | Units |
Water (120°F/48°C) | 750 | ml |
10 | g | |
50 | g | |
Cold Water to make | 1000 | ml |
Chemical | Amount | Units |
Water (120°F/48°C) | 750 | ml |
Sodium Carbonate (anhy) | 50 | g |
Cold Water to make | 1000 | ml |
The shelf life of both stock solutions is 6 months if the storage container is full and tightly capped.
You will need a graduated cylinder to mix the working solution. All solutions should be at 20°C/68°F for both mixing and development. To prepare the working solution, mix one part Stock Solution A with one part Stock Solution B and eight (8) parts water.
Chemical | Amount | Units |
Water (68°F/20°C) | 750 | ml |
Stock Solution A | 100 | ml |
Stock Solution B | 100 | ml |
water to make | 1000 | ml |
The actual development time varies with individual taste and film type and should be determined by testing. In general, slow films require less development while fast films require longer development. Agitation is variable with this developer for you to tailor development to your specific needs. More time allowed between agitation results in more compensation and increased sharpness. Too much time between agitation results in uneven development. Run careful tests to find the agitation pattern best suited for your application. We recommend a development time of 8 to 15 minutes at 20°C/68°F, using your normal development sequence.
Ronald W. Anderson specifies 65 grams of Sodium Sulfite per liter of stock of stock solution. I have noted that when I make solution B with tap water, what I suppose to be calcium carbonate settles as a scum on the bottom. De-ionized or distilled water does not produce this effect which seems to cause no harm in any case. Successful use of high acutance developers requires the thinnest practical negative consistent with printing on normal contrast paper. Over-exposure will result in coarse grain and lower acutance. Agitation is also important When using a Nikor or similar tank, agitate continuously for the first 15 seconds and then for 5 seconds every minute. The use of an acid stop-bath is NOT recommended. Instead use a one minute rinse in water. All solutions including wash water should be at 68°F., do not use higher temperatures. If developer fog is experienced with old film add small amounts of benzotriazole 0.2%. These developers do not reduce the grain inherent in an emulsion, but the increase in sharpness due to their use is amazing especially if you are accustomed to a solvent type developer such as Microdol or D-76 which mush up the grain. Besides showing you detail you thought your camera never saw before, these developers have the added advantage of being the most economical to use. Commercial preparations based on the same considerations as previously given are Neofin Blue, Ethol TEC and FX-22, but may not be identical with any of the formulas given above.
